Artist Contacts
“Good and True” feels like a piece that was written to be both personal and universal. From the first notes, there is a quiet sincerity that immediately reaches the listener. Mary Beth Orr’s voice enters with a natural clarity, carrying emotion without force. Her delivery feels honest, as if she is telling a story directly to you rather than performing for an audience, which makes the track instantly relatable.
Instrumentally, the song’s balance is what makes it shine. Greg Scheer’s guitar playing provides a steady, grounding backdrop that feels warm and intimate, while the French horn rises and falls around it like a second voice. The combination is striking in its simplicity. Each note of the horn lingers with resonance, creating a gentle dialogue with the guitar that never overshadows the vocals. The arrangement doesn’t rely on heavy layers, but instead trusts the strength of its components to carry the message.
The inspiration behind the piece adds further weight. Drawing from the birthing song of the Dagara Tribe, as shared by Sobonfu Somé, “Good and True” reflects on the profound themes of motherhood, love, and grief. These universal experiences are woven into the music with care, creating something that feels deeply rooted in human connection and cultural memory.
As the song unfolds, its power lies in patience and restraint. Rather than building to dramatic peaks, it allows the listener to sit with its meaning. By the time it closes, “Good and True” leaves behind a sense of peace and reflection. It is a song that lingers quietly, offering comfort and reminding us of the enduring strength found in simplicity and truth.
